Hollywood uses ‘American Sniper’ to destroy history & create myth
The moral depravity into which the US is sinking is shown by American Sniper glorifying the exploits of a racist killer receiving six Oscar nominations, whereas ‘Selma’ depicting Martin Luther King’s struggle against racism has been largely ignored.
American Sniper is directed by Clint Eastwood, and tells the story of Chris Kyle, a US Navy Seal who served four tours of duty in Iraq as a sniper credited with 160 confirmed “kills”, and earning him the dubious honor of being lauded the most lethal sniper in US military history.
Played by Bradley Cooper, in the movie Kyle is an all-American hero, a Texas cowboy who joins the military out of a sense of patriotism and a yearning for purpose and direction in his life. Throughout the ‘uber-tough’ selection process, Kyle is a bastion of stoicism and determination, willing to bear any amount of pain and hardship for the honor of being able to serve his country as a Navy Seal – America’s equivalent of the Samurai.
The personal struggle he endures as a result of what he experiences and does in Iraq is not motivated by any regrets over the people he kills, including women and children, but on his failure to kill more and thereby save the lives of American soldiers as they go about the business of tearing the country apart, city by city, block by block, and house by house.
If American Sniper wins one Oscar, never mind the six it’s been nominated for, when this annual extravaganza of movie pomp and ceremony unfolds in Hollywood on February 22, it will not only represent an endorsement of US exceptionalism, but worse it will be an insult to the Iraqi people. In the movie they are depicted as a dehumanized mass of savages – occupying the same role as the Indians in John Wayne Western movies of old – responsible for their own suffering and the devastation of their country, which the white man is in the process of civilizing.
Anything resembling balance and perspective is sacrificed in American Sniper to the more pressing needs of US propaganda, which holds that the guys who served in Iraq were the very best of America, men who went through hell in order to protect the freedoms and way of life of their fellow countrymen at home. It is the cult of the soldier writ large, men who in the words of Kyle (Bradley Cooper) in the movie “just want to get the bad guys.”
The ”bad guys” are, as mentioned, the Iraqis. In fact if you had just arrived in the movie theatre from another planet, you would be left in no doubt from the movie’s opening scene that Iraq had invaded and occupied America rather than the other way round.
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