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The Beatles and the Occult



The Beatles first began performing in the late 1950s in jazz clubs in England and West Germany. These clubs, always located in the seediest part of the cities, served as a marketplace for prostitution and the circulation of drugs. Beatle biographer Philip Norman writes: “Their only regular engagement was a strip club. The club owner paid them ten shillings each to strum their guitars while a stripper named Janice grimly shed her clothes before an audience of sailors, guilty businessmen and habitues with raincoat-covered laps.” (Philip Norman, Shout! The Beatles in Their Generation, p. 81)
The Beatles got their first big break in Germany, in August 1960, when they obtained a booking at a jazz club in Hamburg’s notorious Reeperbahn district. Describing the area Norman writes it had, “red-lit windows containing whores in every type of fancy dress, all ages from nymphet to granny…Everything was free. Everything was easy. The sex was easy… Here it came after you.” (Philip Norman, Shout! The Beatles in Their Generation, p. 91)
Far from the picture of innocence, the Beatles, even in their first performances, were always high on a drug called Preludin, “John (Lennon), would be foaming at the mouth, he’d have so many pills inside him…John, began to go berserk on stage, prancing and groveling…The fact that the audience could not understand a word he said, provoked John into cries of `Sieg Heil!’ and `F____ing Nazis’ to which the audience invariably responded by laughing and clapping.” (Philip Norman, Shout! The Beatles in Their Generation, pp. 152,91)
Off the stage, the Beatles were just as evil. Norman continues, “while in Hamburg, John, each Sunday would stand on the balcony, taunting the churchgoers as they walked to St. Joseph’s. He attached a water-filled contraceptive to an effigy of Jesus and hung it out for the churchgoers to see. Once he urinated on the heads of three nuns.”(Philip Norman, Shout! The Beatles in Their Generation, p. 152)
While in Hamburg, in June of 1962 the Beatles received a telegram from their manager, a homosexual named Brian Epstein, who was back in England. “Congratulations,” Epstein’s message read. “EMI requests a recording session.” EMI was one of Europe’s largest record producers, and their role in promoting the Beatles would be key in the future.
Under the the strict guidance of EMI’s recording director George Martin, and Brian Epstein, the Beatles were scrubbed, washed, and their hair styled into the Beatles cut. EMI’s Martin created the Beatles in his recording studio.
Martin was a trained classical musician, and had studied the oboe and piano at the London School of Music. The Beatles could neither read music nor play any instrument other than guitar. For Martin, the Beatles musicianship was a bad joke. On their first hit record, “Love Me Do,” Martin replaced Ringo on the drums with a studio musician. Martin said Ringo, “couldn’t do a [drum] roll to save his life.” From then on, Martin would take the simple little tunes the Beatles would come to him with, and turn them into hit records.

Lockwood and EMI


EMI, led by aristocrat Sir Joseph Lockwood, stands for Electrical and Mechanical Instruments, and is one of Britain’s largest producers of military electronics. Martin was director of EMI’s subsidiary, Parlophone. By the mid-sixties EMI, now called Thorn EMI, created a music divison which had grown to 74,321 employees and had annual sales of $3.19 billion.
EMI was also a key member of Britain’s military intelligence establishment.
After the war, in 1945, EMI’s European production head Walter Legge virtually took over control of classical music recordings, signing up dozens of starving German classical musicians and singers to EMI contracts. Musicians who sought to preserve the performance tradition of Beethoven and Brahms, were relegated to obscurity while “ex-Nazi” Party members were promoted. Legge signed and recorded Nazi member, the late Herbert Von Karajan, promoting him to superstar status, while great conductors such as Wilhelm Furtwangler were ignored.
From the beginning, EMI created the myth of the Beatles’ great popularity. In August of 1963, at their first major television appearance at the London Palladium, thousands of their fans supposedly rioted. The next day every mass-circulation newspaper in Great Britain carried a front page picture and story stating, “Police fought to hold back 1,000 squealing teenagers.” Yet, the picture displayed in each newspaper was cropped so closely that only three or four of the “squealing teenagers” could be seen. The story was a fraud. According to a photographer on the scene, “There were no riots. I was there. We saw eight girls, even less than eight.”(Philip Norman, Shout! The Beatles in Their Generation, p. 188)
In February 1964, the Beatles myth hit the United States, complete with the orchestrated riots at Kennedy Airport, previously mentioned. To launch their first tour, the media created one of the largest mass audiences in history. For an unprecedented two Sundays in a row, on the Ed Sullivan Show, over 75 million Americans watched the Beatles shake their heads and sway their bodies in a ritual which was soon to be replicated by hundreds of future rock groups.
On returning to England, the Beatles were rewarded by the British aristocracy they served so well . In October 1965, the four were inducted into the Order of Chivalry, and were personally awarded the accolade of Member of the British Empire by Queen Elizabeth at Buckingham palace.


Evil Beatles?

The Beatles were occultists (people interested in hidden knowledge) that attracted the wrong people around them. Here I present some dots for the viewer to connect or not to connect. Were the Beatles evil like some groups claim? Probably not. Were they under mind control and used? There is a good possibility sense they were a product of Tavistock according to Dr. John Coleman in his excellent book “The Committee of 300. The problem with the Beatles is that once you become well known, everyone wants a piece of you. So now as I present the dots below, please keepin mind that the Beatles were pawns in a much higer agenda from various malevolent groups seeking to use them such as Tavisock, the Process, the CIA (MK-Ultra) and many others.

In an interview with Barbara Walters, Lennon assassin Mark David Chapman clearly demonstrated that he was a satanist. In other words he was an errand boy. He would then go on to shoot Beatle John Lennon to death.

Alone in my apartment back in Honolulu, I would strip naked and put on Beatles records and pray to Satan to give me the strength. I prayed for demons to enter my body to give me the power to kill” (cited by Evangelist Richard Ciarrocca, Observations, Dec. 1990).

“In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, “sought to recruit the Beatles.

The Beatles’ album was dedicated to satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley’s death in 1947. The title song with the lyrics, “It was twenty years ago today…”


Crowley was born in 1875 and was called the “Great Beast.” He was known to practice ritual child sacrifice regularly, in his role as Satan’s high priest or “Magus.” Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today’s standards, reek of pure evil.”

A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the “founding father” of modern Satanism. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley

The movie Rosemary’s baby was filmed in the Dakota were John Lennon was shot to death. It also appears that John Lennon knew the director personally. “The Director of Rosemary’s Baby was Roman Polanski. (At a party in California in 1973, Lennon ‘went berserk, hurling a chair out the window, smashing mirrors, heaving a TV against the wall, and screaming nonsense about film director Roman Polanski being to blame’ – Giuliano) It’s also interesting to note that when the Beatles went to India to see the Yogi, John Lennon took along Mia Farrow star of the movie Rosemary’s Baby. It would appear that birds of the same coven flock together.Did this nobody Director Roman Polanski make a pact with the Hollywood coven in order that he be given a very choice script that would make him a successful film director? So what is the price for fame in the underworld? It is the killing of your baby! This fact is even stressed in the movie Rosemary’s Baby. In the movie, the coven demanded Rosemary’s baby in return for her husband’s success in Hollywood. It was an amazing coincidence that the film had a plot that would be similarly played out a year later – Polanski’s pregnant actress/wife Sharon Tate would be murdered by Charles Manson’s followers. Susan Atkins one of the killers stated that they wanted to remove the baby from Polanski’s murdered wife Sharon Tate, but they ran out of time and had to flee the murder scene.Was the death of Roman Polanski’s baby a pre-payment for an Academy Award nomination for Polanski’s for Best Adapted Screenplay. This movie became a critically-acclaimed and a commercially successful film. Director Roman Polanski was now on his way to the top of the heap of success.


Weeks before Lennon’s death, on his latest album there was a song by Yoko Ono titled Kiss Kiss Kiss. When played backwards one can hear Yoko say, “I shot John Lennon.” This is the same album that Lennon’s killer John Chapman listened to over and over again! Was Chapman under mind control induced by the album? Mind control plays a very important role in satanism. It is no coincidence that Sirhan Sirhan who murdered Bobby Kennedy was very much involved with hypnosis and satanism. Just like Chapman and Jack Ruby (who assassinated John Kennedy), he claims to have no memory of what he did.



Now enter another mind control victim by the name of Charles Manson a satanic bill collector. His followers saw to it that Roman Polanski’s wife was killed and would also attempt to cut out the baby. In the movie Rosemary’s Baby, it is stressed that there is power in babies blood. Could this be the reason why Sharon Tate’s baby was almost cut out of the womb by Susan Atkins Sadie Atkins not only wanted to remove the baby, but she also wanted to take out the eyes of the other murdered people, squash them against the walls, and cut off their fingers.She stated, “We were going to mutilate them, but we didn’t have a chance to.”


The main character in the movie and was to have her baby taken away had the nickname “Ro” short for Rosemary. I wonder what Roman Polanski’s nick name was? Was it Ro? By the way, magicians wands are made from the wood of holly trees, thus we have Hollywood, and stars are the points of light that shine forth Lucifer’s occultist wisdom.

On the album there is a song called Sexy Sadie. Well it turns out that this was the nickname of Susan Atkins. Now “Sadie Mae Glutz was the alias given to the Family member Susan Atkins by Manson even before the appearance of the White Album song ‘Sexy Sadie!'”

 It was Sadie’s testimony in court that brought an end to the Manson family. Now read the lyrics below from the Beatles song Sexy Sadie.

Sexy Sadie Beatles “White album” Year 1968

Sexy Sadie what have you done
You made a fool of everyone
You made a fool of everyone
Sexy Sadie ooh what have you done.

Sexy Sadie you broke the rules
You laid it down for all (the court) to see
You laid it down for all to see
Sexy Sadie oooh you broke the rules.

One sunny day the world was waiting for a lover
She came along to turn on everyone
Sexy Sadie the greatest (Manson killer)of them all.

(Susan Atkins was a sexual lover of the Manson family)

Beatles often stayed at Tate residence (?)

In the famous 1970 Rolling Stone interview, Lennon suggested that he, George Harrison and Ringo Starr took their second LSD trip at Doris Day’s house in California while touring with the Beatles. He may have been referring, unwittingly, to 10050 Cielo Drive, Bel Air, Los Angeles, California, the house where Sharon Tate and four others were murdered. As previously stated, Doris Day’s son, Terry Melcher, had allowed Roman Polankski and his wife, Sharon Tate, to take over his unexpired lease about six months prior to the murders.57 Here is what Lennon said about his first and second experiences with LSD:

A dentist in London…laid it [first LSD pills] on George, me and our wives [Cynthia Powell Lennon and Patty Boyd Harrison] without telling us at a dinner party at his house [in London]… And then, well, we just decided to take it again in California…We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay. And the three of us took it. Ringo, George and I. I think maybe Neil [Aspinall, a roadie]. And a couple of the Byrds…[David] Crosby and the other guy, who used to be the leader…[Roger] McGuinn. I think they came round, I’m not sure, on a few trips

Lennon’s memory of his second LSD trip was a bit fussy, but he mentioned some interesting people and places: Doris Day’s house, the Byrds. Earlier I mentioned that Terry Melcher produced the Byrds’ first two albums. As stated before, Melcher’s mother is Doris Day. Sharon Tate and her four companions were killed at a house in LA where Melcher had lived six months earlier. It might have been owned by Melcher’s mom, or maybe Lennon knew she was connected with the house somehow, so he referred to it as Doris Day’s house. Not only does Lennon unwittingly suggest that he and two other Beatles—George and Ringo—took their second acid trip in the house where Sharon Tate was murdered, he further intimates that the Beatles stayed at that house quite often while touring California. Here is the key statement again: “We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay.” The words “wherever it was we used to stay” describe a place the Beatles stayed at frequently while on tour

John Lennon Murder

. John Hinkley who attempted to assassinate President Ronald Reagan “followed as exactly as he possibly could EVERY SINGLE MOVE that Mark David CHAPMAN had made, in the days before CHAPMAN murdered John Lennon.

Even MORE bizarre: at the time of their respective arrests following both shooting incidents, John Hinckley AND Mark David Chapman were each carrying on their person a paperback copy of the J.D. Salinger novel, ’CATCHER IN THE RYE.’ (AS did the MK-Ultra mind-controlled assassin Jerry played by Mel Gibson in the surprisingly revealing movie Conspiracy Theory.)

J.D. Salinger, certainly a gifted author, had SUBSTANTIAL and enduring ties to the U.S. intelligence community; in particular, the CIA. Was the book originally intended to be a mind-control programming tool? It’s hard to say, but not inconceivable.

SO: Hinckley traced Chapman’s footsteps, as it were, in an incredibly eerie AND incredibly REVEALING, scripted tableau; which culminated, as it did with Chapman, in mind-controlled Manchurian Candidate assassin Hinckley shooting his prey on the New York City streets.

Which indeed, brings up yet a FURTHER point. Hinckley FIRST CAME to New York WELL BEFORE his attempt to assassinate Reagan, in order to prepare himself for his assigned role by imitating Chapman’s moves and actions of a few months before.

SO: HOW did Hinckley KNOW, several weeks BEFORE-hand, that Reagan was going to be at the place in New York City were Hinckley would shoot him, AND the DAY and TIME Reagan would be there??

SOMEBODY on the “INSIDE,” who knew Reagan’s schedule some time in advance, positioned Hinckley in New York well before the date of the attempted assassination of Reagan.

Somebody like George BUSH, Sr., maybe? Trying to get a jump on taking over as President? Or, maybe just sending ol’ Ronnie a VERY strong, clear message about who the “boss” really was…

Maby the Beatles were members of the same Hollywood occult as Roman Polanski. The Movie Rosemary’s Baby was a future template of what was going to happen to Polanski’s wife Sharon Tate. Also the songs recorded by the Beatles seem to indicate that they were mind control. I believe that songs like Helter Skelter, which Charles Manson felt he got his orders to kill from, were recorded by the Beatles for that express purpose.

As in the movie Rosemary’s Baby, maby Sharon Tate was manipulated and set up by all the people around her, and those she loved and trusted including her own husband. She was the sacrifice to satan for all Polanski’s success. I for one was not fooled by Polanski’s sparse tears during interviews.

Interesting to note that Mia Farrow who played Rosemary allegedly feared she would be the next victim of the murder spree. In her 1968 excursion to India with John Lennon of The Beatles, John wrote ‘Dear Prudence’ (also a song on White Album) for Mia Farrow’s younger sister.

Mark Chapman was the name of Lennon’s killer – Winifred Chapman was the maid who had first found the bodies at 10050 Cielo Drive.


In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, “sought to recruit the Beatles.

A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the “founding father” of modern Satanism, Aleister Crowley. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Aleister Crowley.

Crowley was born in 1875 and was called the “Great Beast 666.” He was known to practice ritual child sacrifice regularly, in his role as Satan’s high priest or “Magus.” Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Kenneth Anger, like Crowley, is a Magus, and appears to be the heir to Crowley.

the Beatles’ album was dedicated to Satanist Aleister Crowley. It was released 20 years, to the day, after Crowley’s death in 1947, and its title song began with the lyrics, “It was twenty years ago today…” The album’s cover featured a picture of Crowley.



The Beatles were some of the most blatant, ANTI-CHRIST performers the world ever heard!


The press officer for the Beatles, Derek Taylor, said, “They’re COMPLETELY ANTI-CHRIST. I mean, I am anti-Christ as well, but they’re so anti-Christ they shock me which isn’t an easy thing.” (Saturday Evening Post, Aug. 8, 1964).


Paul McCartney said, “We probably seem to be anti-religious. . . none of us believes in God.” (Hit Parader, Jan 1970, p.15)


John Lennon, in his book, A Spaniard in the Works, portrays Jesus Christ as, “Jesus El Pifico, a garlic-eating, stinking little yellow, greasy fascist bastard catholic spaniard.” (A Spaniard in the Works, p.14).


Lennon also made that infamous statement, “Christianity will go, it will vanish and shrink. I needn’t argue about that. I’m right and will be proved right. . . .We’re more popular than Jesus now.” (San Francisco Chronicle, April 13, 1966, p.26)


Ray Coleman quotes John Lennon as saying, “I’ve sold my soul to the DEVIL.” (Coleman, Ray, Lennon p.256)


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